Northern Arts Review - Pride & Prejudice (*sort of)
at the York Theatre Royal
Pride & Prejudice (*sort of) - Northern Arts
It is a truth universally acknowledged that few things provoke the ire of devoted Janeites more than a poorly executed adaptation of Pride & Prejudice. Fortunately for Isobel McArthur, writer and director of the smash hit Pride & Prejudice (*sort of), no mob of Darcy-mad bibliophiles need assemble. She has delivered a refreshing, clever take that honours Austen’s spirit whilst adding its own joyous, and often boisterous, twist.
Originally conceived for a brief two-and-a-half-week run at the Tron Theatre in Glasgow’s East End, Pride & Prejudice (*sort of) has since embarked on an impressive seven-year tour, highlighted by a four-month residency at the Criterion Theatre in London’s West End, where it garnered a Laurence Olivier Award for Best Comedy. In reimagining one of the most beloved period romances of all time, McArthur struck gold by choosing to tell the story from the perspective of the true unsung heroes behind every great period romance—the servants.
In this exceptionally witty adaptation, the all-female cast begin in simple white shift dresses to portray the servants, then swiftly layer on frock coats, empire-line gowns, and various accessories to transform into over twenty distinct characters. The dizzying costume changes are sharp and seamless, allowing each actress to jump from one memorable role to the next with impressive ease.
One of the most surprising—and successful—aspects of this adaptation is how McArthur captures Austen’s original light-heartedness by blending the old with the new. In a delightful mix of Georgian elegance and modern mischief, she creates a thoroughly convincing world where an elegant ball features Irn-Bru and red Solo cups. With each new set change, the audience were on the edge of their seats waiting to see what hysterical anachronism would appear next.
To see my full review, please visit Northern Arts Review
See you in the shadows my loves,
Sean x
